Κυριακή 28 Ιουνίου 2009

IRON MAIDEN-ACES HIGH


IRON MAIDEN-A MATTER OF LIFE AND DEATH

Review by James Christopher Monger
2003's Dance of Death marked the triumphant return of old-school Iron Maiden. Gone were the murky, over-produced set pieces that clogged 2000's Brave New World and in their place fell blistering slabs of Piece of Mind-era metal. That trend continues with their 14th full-length album, Matter of Life and Death, a more elaborate and meandering experience than Dance of Death, but a rewarding one for fans willing to indulge the group's occasional excess. At over 70 minutes, Matter of Life and Death is closer to 1988's woefully underrated Seventh Son of a Seventh Son than it is to Piece of Mind, but with far less keyboard tickling. Recorded live in the studio, epics like "Reincarnation of Benjamin Breeg," "Brighter Than a Thousand Suns," and the brutal "Longest Day" -- the whole record is a loosely-knit song cycle with war at its core -- exhume prog rock complexity and discipline yet manage to bristle with the kind of small-club intensity usually reserved for acts half their age. At just over four minutes, opener "Different World" -- a near twin of Dance of Death's "Wildest Dreams" -- is the only cut that screams single, but it's also the most misplaced. On a record that positions beloved avatar Eddy on top of a tank with a machine gun leading a weary troop of skeletal soldiers to their doom, any act of brevity, no matter how expertly crafted, sticks out like a saxophone solo. [Matter of Life and Death is also available with a bonus DVD that includes videos, live performances, and rehearsal footage.]



1
Different World
2
These Colours Don't Run
3
Brighter Than a Thousand Suns
4
The Pilgrim
5
The Longest Day
6
Out of the Shadows
7
The Reincarnation of Benjamin Breeg
8
For the Greater Good of God
9
Lord of Light
10
The Legacy

http://rapidshare.com/files/249544144/Iron-Maiden.A_Matter_of_Life_and_Death.rar

Πέμπτη 25 Ιουνίου 2009

IRON MAIDEN-DANCE OF DEATH


Review by James Christopher Monger
Drummer Nicko McBrain kicks off Iron Maiden's 13th studio record with an uncharacteristic one-two-three-four before launching into the rousing opener, "Wildest Dreams." This bar-band sensibility permeates Dance of Death's first three refreshing yet unremarkable tracks before shifting into the more familiar fantasy rock of previous releases. That shift begins with the remarkable "Montsegur," a brutal, melodic assault that recalls the group's glory days and showcases lead singer Bruce Dickinson at his venom-spitting best. The anthemic "New Frontier" is a musical sibling to the band's 1982 classic "Number of the Beast" and eclipses any doubt about the band's ability to keep up with the phantom specter of age. Despite the dark imagery and the ferocity of the performances, there's a looseness to the record that conveys a surreal sense of fun. They enjoy playing together, and that more than anything shines through on old-fashioned rockers like "No More Lies" and "Gates of Tomorrow." No Iron Maiden album would be complete without a Dungeons and Dragons-style epic, and they deliver on the hammy title track and the lush closer, "Journeyman." The group's innate ability to consistently cater to its fans' stubborn tastes, while maintaining a level of integrity that other veteran bands displace with unintentional Spinal Tap zeal, is a testament to its talent and experience. While the keyboard-heavy sound of their previous release, the excellent Brave New World, creeps into some of the more indulgent tracks, Dance of Death is a triumphant return to form for these heavy metal legends.

1
Wildest Dreams
2
Rainmaker
3
No More Lies
4
Montsegur
5
Dance of Death
6
Gates of Tomorrow
7
New Frontier
8
Paschendale
9
Face in the Sand
10
Age of Innocence
11
Journeyman